World Literature Studies, Special Issue, vol. 11, no. 4, 2019
Edited by Tomáš Jirsa (Palacký University Olomouc) and Rebecca Rosenberg (King’s College London)
Across cultural history, the face has figured both a site of intimate familiarity and radical unknowability. On the one hand, the face is the most immediate and recognizable marker of identity: an organic surface upon which interiority is projected and displayed. Pokračovať na Call for Papers: (Inter)Faces:Thinking the Face in Literature and the Visual Arts


