Rainier Grutman
(University of Ottawa, Canada)
15 October 2025 (Wednesday) at 14:00 CET
Institute of World Literature SAS + online
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This talk completes and complicates traditional mimetic (‘realist’) readings or multilingual fiction by highlighting the aesthetic effects of heterolingualism and the structuring role of languages in terms of plot. Using Yann Martel’s Self (1996) as case study, it shows how overt use of French, Spanish, Czech, and Hungarian forces readers of this English-Canadian novel to confront its multilingual poetics. Czech and Hungarian are perhaps especially relevant in Bratislava: the former partner language of Slovak appears only briefly, but Hungarian occupies entire pages of dialogue. These linguistic fragments are left untranslated, furthermore, thus pushing readers beyond their linguistic comfort zones. Ultimately, they connect to the narrator’s two central love interests (a girl from Prague and a member of Slovakia’s historic Magyar minority), with Hungarian discreetly preparing the explosive and tragic finale of a novel that is as much about words as it is about the world.
A Full Professor at the University of Ottawa (Canada), Rainier Grutman studied Romance philology, Comparative Literature and Translation Studies at Namur, Leuven and Madrid universities before earning his Ph.D. in French Studies in Montreal. He has held appointments as visiting faculty in Belgium (Ghent, Leuven), Italy (Bologna) and the United Kingdom (Aston University). In 2022, he was elected to the Academia Europaea. Rainier Grutman started studying bilingual writers and multilingual texts long before they became fashionable research topics, most notably in his book, Des langues qui résonnent (Montreal, 1997; 2nd ed. Paris, Classiques Garnier, 2019.) His latest contributions to this conversation appeared in the inaugural issue of Brill’s Journal of Literary Multilingualism (May 2023), the Forum for Modern Language Studies (Oxford UP, Jan. 2024), and the edited volume, Plurilinguisme et production littéraire transnationale en français depuis le Moyen Age (Geneva: Droz, 2023).