ed. Péter Hajdu, Shenzhen University, China

From the perspectives of circulation or canonization, world literature does not exist in a single universal form, but in local, regional, areal, national, and sociocultural variations. National literature emerged as a meaningful term in the 19th century. Its relationship to world literature has been a topic of discussion for 200 years. The articles in this issue scrutinize the concepts of world and national literature from various theoretical approaches, such as investigating their interactions from viewpoints of power and gender. It also includes case studies from the Lusophone and Chinese contexts, showing how writers from the Renaissance to the Internet era have transcended national readerships and reached global ones. #openaccess #worldliteraturestudies 

Articles – Topic

PÉTER HAJDU
National peculiarities in approaching the Classics: The case of Catullus with Hungarian modernism
MICHAEL STEPPAT
Nation vs. world? Global imprints on Shakespeare and the orientation of world literature
SIMÃO VALENTE
World literature and national literatures in Portuguese
FATIMA FESTIĆ
Gender as a mediation between world literature and national literature
ZHENLING LI
Cross-culture, translation and post-aesthetics: Chinese online literature in/as world literature in the Internet era
TAO HUANG
The state’s role in “worlding” a popular national genre: The case of China and Liu Cixin
DAVID PAN
The end of world literature?

The full content of the issue with links to the individual texts can be found HERE.