This issue takes creativity and translation as its two core topics. The contributions position themselves to these themes in various ways, ranging from addressing creativity in translation on the theoretical level, through the employment of methodologies creatively appropriated from other disciplines and applied to hybrid objects of study, to the inquiries into interactions between humans and technologies and persisting hierarchies of power. The composition of the volume, addressing such topics as dance, troubadour poetry, neural networks or queer perspectives in translation studies, encourages the reader to embrace the cross-pollination of research objects and methodologies.

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