ed. Oksana Blashkiv

What is the global campus today? What are its representations in fiction? What do they say about the university’s role in contemporary society? This issue devoted to the campus novel searches for answers in contemporary Anglophone and particularly non-Anglophone campus fiction in its plurality and diversity. The relevance of the topic is explained by the significant changes that the world of academia and its literary narratives undergo in the present. By bringing attention to campus fiction in Ukrainian, Swedish, Spanish, Slovak, Romanian, Polish, German, Czech, Bulgarian, and American literature, the authors shed light on the global campus and national peculiarities of its portrayal.

World Literature Studies is an open access and print scholarly journal published quarterly by Institute of World Literature, Slovak Academy of Sciences. Licensed under Creative Commons BY-NC-ND 4.0. Subscriptions: Slovak Academic Press, s. r. o., Bazová 2, 821 08 Bratislava, sap@sappress.sk. Annual subscription: 40 €

Articles:
MERRITT MOSELEY
Globalism, then and now: The rise of international neoliberalism and the academic novel
OKSANA BLASHKIV
Central European perspectives of the global campus: Slavic academic fiction after 1989
ANNA GAIDASH
Aging professors: Reading transatlantic academic plays of the 1990s
ELŻBIETA PERKOWSKA-GAWLIK
The academic murder mystery as a popular subgenre from the Polish perspective
PETR HRTÁNEK
The campus novel and university satire in recent Czech literature
CORINA SELEJAN
Magical realism and the othering of the academic in three Romanian postcommunist novels
MARTA KOVAL
The American university in the aftermath of 9/11 in Susan Choi’s novel A Person of Interest
PETR ANTÉNE
“The inhospitable city”: A Spanish view of Oxford in Javier Marías’s All Souls
PAULÍNA ŠEDÍKOVÁ ČUHOVÁ – MARTINA KUBEALAKOVÁ
The Perlmann crisis of the academic world
EWALD MENGEL
The university as heterotopia in Tabea Mußgnug’s Nächstes Semester wird alles anders…
JULIE HANSEN
A tale of two professions in the Swedish campus novel Vård, skola och omsorg
MILENA KIROVA
The phenomenon of the “Professorenroman” in Bulgarian literature

The full content of the issue with links to the individual texts can be found HERE.

ed. Johannes D. Kaminski

The utopian appeal of peace, both in a political and spiritual sense, belongs to the powerful drivers of the human imagination. Yet the rhetorics of peace are difficult to untangle from the realities of war; after all, efforts that supposedly serve a higher purpose frequently result in injustice and violence. In the present issue, an international group of scholars discusses European, American, and Chinese texts that cover a wide spectrum of imagined peace, ranging from naïve enthusiasm for top-down solutions to dejected elegies for the demise of civil liberties.

The journal was published within the project SASPRO World Government: Grand Narratives in Contemporary Science-Fiction.

World Literature Studies is an open access and print scholarly journal published quarterly by Institute of World Literature, Slovak Academy of Sciences. Licensed under Creative Commons BY-NC-ND 4.0. Subscriptions: Slovak Academic Press, s. r. o., Bazová 2, 821 08 Bratislava, sap@sappress.sk. Annual subscription: 24 €

Articles:
ALEXIS SHOTWELL
“All we have is means”: Ursula K. Le Guin’s utopianism as ongoingness
KILIAN JÖRG
Messy utopianism and the question of war: What does “staying with the trouble” mean in relation to war?
JOHANNES D. KAMINSKI
World-wide conflicts, insular solutions: Universalizing government, language and race in
H. G. Wells’s A Modern Utopia and Kang Youwei’s The Great Unity
GABRIEL F. Y. TSANG
Mind and peace: The “democratic” info-technological determinism of Gu Junzheng’s “The Dream of Peace”
MICHAEL KA-CHI CHEUK
The Chinese Nobel complex and peacebuilding: Gao Xingjian and Mo Yan as case studies
CATHERINE MACMILLAN
Everyone’s watching you: The future of society in Dave Eggers’s The Every
ANTON MATEJICKA
Totalitarian systems and their peaceful alternatives in Karin Boye’s Kallocain and Olga Ravn’s The Employees
MAGDALENA MÜHLBÖCK
The terrible within the peaceful: Christoph Ransmayr’s Morbus Kitahara
ADAM ŠKROVAN
The pursuit of harmony: Groups and communities in post-apocalyptic narratives
ELAHEH KARIMI RIABI
The image of Persian women in Lomnitsky’s travelogue Persia and Persians

The full content of the issue with links to the individual texts can be found HERE.

eds. Ivana Hostová ‒ Mária Kusá

This issue with a focus on translation studies explores the intersection of translation with power, censorship, and marginalized identities. The articles investigate how translation can reinforce or resist oppressive structures, particularly in Central and Eastern Europe. Themes include the curation of cultural exports, censorship in literary translation, and the political economy of reception. The issue also highlights the role of translators in shaping theoretical works, and advocates for the decolonization of knowledge and greater inclusivity in global cultural production.

The journal was published within the project VEGA 2/0092/23 Translation and translating in the history and present of the Slovak cultural space. Transformations of forms, status and functions: texts, personalities, institutions.

World Literature Studies is an open access and print scholarly journal published quarterly by Institute of World Literature, Slovak Academy of Sciences. Licensed under Creative Commons BY-NC-ND 4.0. Subscriptions: Slovak Academic Press, s. r. o., Bazová 2, 821 08 Bratislava, sap@sappress.sk. Annual subscription: 24 €

Articles:

IVANA HOSTOVÁ ‒ MÁRIA KUSÁ
Translation, censorship, and marginalized voices: Challenging power and
economic barriers
IRYNA ODREKHIVSKA
Decolonial analytics in translation history: Ukrainian literature in the contested
space of English translation
NATALIIA RUDNYTSKA
Soviet ideological and puritanical censorship of Ukrainian literary translations
MARIE KRAPPMANN
Individual decisions in a collectivist ideology: Two Czech translations of I. L. Peretz’s
short story Bontshe shvayg
MERVE ÖZENÇ KASIMOĞLU
Words in time: Inclusive reading and rewriting in Charlie and the Chocolate Factory
KATARÍNA BEDNÁROVÁ
Translation as a scholarly dialogue
IVANA HOSTOVÁ
Translated, transgressed, transported: A century of Whitman in Slovakia
JÁN GAVURA
Publishing poetry in translation in Slovakia 2013–2023
IVANA HOSTOVÁ ‒ DANIELE MONTICELLI ‒ OLEKSANDR KALNYCHENKO
‒ MARTIN DJOVČOŠ
Addressing power imbalances in research and translation studies
EVA VEREBOVÁ ‒ EMÍLIA PEREZ
Theater performances and their accessibility in Slovakia: Insights from the Deaf
community

The full content of the issue with links to the individual texts can be found HERE.

eds. Bogumiła Suwara ‒ Jana Tomašovičová

The interdiscursive communication between literature and bioethics has gone through significant changes under the influence of dynamic bio-scientific advancements. The articles in this issue document the shift from the traditional portrayal of the doctor-patient relationship to new themes inspired by contemporary bioethical challenges, including regenerative medicine, gene editing, cloning, human enhancement, and euthanasia, thus demonstrating the reciprocal transfer of literary and bioethical discourses. Through the emergence of this new interdiscursive space, literary and artistic representations are enriching the rationalist ethical rhetoric and normative argumentation with many humanistic aspects, including a narrative approach to ethics, specifically bioethics.

Articles:

BOGUMIŁA SUWARA ‒ JANA TOMAŠOVIČOVÁ
The interdiscursive communication between literature and bioethics
SAJJAD GHEYTASI
Unveiling the subversive potential: Challenging dominant ideological discourses
in selected literary texts
IVAN LACKO
Dignity, healing, and virtue: Bioethical concerns in Kazuo Ishiguro’s Never let me go
TOMÁŠ KÁROLY
The bioethics of coexistence with robots today and in the sci-fi future
ADAM ŠKROVAN
Bioethics and genetic engineering in Margaret Atwood’s Oryx and Crake
MARIUSZ PISARSKI
Ripperdocs and game makers: Bioethics in the dystopian future of (post)cyberpunk
fiction
PETER SÝKORA
Bioethics of the human body in Michael Crichton’s Next and Rebecca Skloot’s
The Immortal Life of Henrietta Lacks
JANA TOMAŠOVIČOVÁ
Význam naratívneho prístupu v bioetike
BOGUMIŁA SUWARA
Rozmanitosť života, a najmä jeho konečnosti, na príklade vybraných diel
CLAUS-MICHAEL ORT
Text – poznanie – prax: Za možnosť literárnej vedy vychádzať z vedomostnej sociológie

The full content of the issue with links to the individual texts can be found HERE.

eds. Marcel Forgáč ‒ Milan Kendra ‒ Alžbeta Kuchtová

This journal issue, devoted to Derrida’s thinking about literature, addresses a number of questions raised by deconstruction with regard to literariness. In the terms set by deconstruction, the study of the relationship between Derrida and literature leads to an interdisciplinary textual analysis. The studies gathered here therefore deal with issues such as the death of the author, autobiographical writing, the marginality or singularity of literature (and in literature), as well as the difference between philosophy and literature or the transgressiveness of literature. At the same time, they reflect on the problems of democracy, politics, law, ethics or economics, which in Derrida’s approach are associated with the effects of literature.

Articles:

MILAN KENDRA ‒ ALŽBETA KUCHTOVÁ
Derrida and Literature
MARCEL FORGÁČ
Hry záhybov: Habermas, Derrida, Mukařovský
JACQUELINE HAMRIT
Derrida et la littérature : une relation passionnelle
JUAN EVARISTO VALLS BOIX
This strange institution called performativity: Jacques Derrida, the anarchy of literature,
and the counterinstitution of democracy
DARIN TENEV
Derrida and the potentiality of literature: Notes on Derrida’ s “The Law of Genre”
MANUEL RAMOS DO Ó
La question de la littérature chez Jacques Derrida : le droit fondamental et l’ ouverture
du parergon
ERNESTO FEUERHAKE
L’ unique et le texte. Derrida, Valéry, entre autres
SALIM HAFFAS
La mort de l’ auteur entre Barthes, Derrida et Foucault
MIROSLAV KOTÁSEK
How many deaths? Auto-bio-graphy as death-writing

The full content of the issue with links to the individual texts can be found HERE.

eds. Ján Jambor ‒ Zuzana Malinovská

This journal issue is devoted to the forms of authorial self-expression in prose works of world literature since 2000. The relevance of the topic is explained by the significant changes that affect lives nowadays. By means of different methodological approaches, the authors of the nine studies in five languages confirm that autobiographical writing and autofiction do not result
in straightforward life documentations, but in unique literary constructions of reality, coping with personal and collective experience, with liminal life situations, with the process of writing and literary tradition, as well as with the past or present of a given country.

Articles:

JÁN JAMBOR ‒ ZUZANA MALINOVSKÁ
Autobiografické písanie a autofikcia v súčasnej próze
ZUZANA MALINOVSKÁ
Écriture du deuil comme interrogation de soi : Deuils cannibales et mélancoliques
de Catherine Mavrikakis
JÁN JAMBOR
Melitta Brezniks Prosawerk zwischen faktualem und fiktionalem Erzählen
ROMAN MIKULÁŠ ‒ ANDREA MIKULÁŠOVÁ
Von der Auflösung der Person: Das seltsame Problem der personalen Identität
in neueren deutschsprachigen Autopathographien
NADEŽDA ZEMANÍKOVÁ
Autobiografie ‒ Metaautobiografie ‒ Autosoziobiografie: Ostdeutsches autobiografisches
Erinnern im neuen Jahrtausend
JAN TLUSTÝ
Život, který se stal románem: Autofikční Životopisy Oty Filipa
MAGDOLNA BALOGH
Genre hybridity, self-discovery and trauma: Andrea Tompa’s The Hangman’s House
JUDIT GÖRÖZDI
„Problémy so žánrom v pažeráku smrti“: Vlastná smrť Pétera Nádasa a Pankreasník
Pétera Esterházyho ako hraničné prípady autobiografie
ROMAN DZYK ‒ LILIIA SHUTIAK
The Secret by Yuri Andrukhovych: An autobiographical novel in the form
of an interview
MARTA SOUČKOVÁ
K rôznym podobám autobiografického písania v slovenskej próze po roku 2000

The full content of the issue with links to the individual texts can be found HERE.

Our colleague, the comparatist Róbert Gáfrik, visited the Centre for the Study of World Literature at the International Institute of Information Technology Bhubaneswar in the Indian state of Urisa  in August 2023. This is the first centre dedicated to world literature in India, it was founded by Dr. Lipika Das in 2022. Róbert Gafrik is a member of its advisory board. On August 23, he delivered a guest lecture titled “The Concept and Objectives of World Literature”. The lecture organized in collaboration between IIIT Bhubaneswar and the Centre for Asian Studies was introduced by Professor Jatindra Kumar Nayak.

The local newspaper, The Political and Business Daily, reported on this comparative event. Read here: http://pbdodisha.in/Bhubaneswar-25th-August-Friday-2023.