{"id":7514,"date":"2024-01-05T22:16:45","date_gmt":"2024-01-05T22:16:45","guid":{"rendered":"https:\/\/usvl.sav.sk\/wp\/?p=7514"},"modified":"2024-01-12T09:42:41","modified_gmt":"2024-01-12T09:42:41","slug":"o-svetovej-literature-v-novej-verzii","status":"publish","type":"post","link":"https:\/\/usvl.sav.sk\/wp\/?p=7514","title":{"rendered":"O (prekladovo) zabudnutej klasike v novej Verzii"},"content":{"rendered":"

V najnov\u0161om \u010d\u00edsle \u010dasopisu Verzia publikovali aj na\u0161a kolegy\u0148a Eva Kenderessy a n\u00e1\u0161 kolega R\u00f3bert G\u00e1frik.<\/p>\n

V \u00favodnej \u0161t\u00fadii s n\u00e1zvom \u201e\u010co je svetov\u00e1 literat\u00fara?\u201c sa komparatista R\u00f3bert G\u00e1frik podujal na \u00falohu na\u010drtn\u00fa\u0165 r\u00f4zne pr\u00edstupy k ch\u00e1paniu svetovej literat\u00fary ako jedn\u00e9ho z najdiskuto-vanej\u0161\u00edch pojmov s\u00fa\u010dasnej liter\u00e1rnej vedy:<\/p>\n

\u201ePod\u013ea m\u00f4jho n\u00e1zoru mo\u017eno literat\u00faru definova\u0165 ako limin\u00e1lny fenom\u00e9n. Jej pomedznos\u0165 sa prejavuje r\u00f4znymi sp\u00f4sobmi. M\u00f4\u017ee sa nach\u00e1dza\u0165 na pomedz\u00ed skuto\u010dnosti a fikcie, osob-n\u00e9ho a spolo\u010dn\u00e9ho, minulosti a s\u00fa\u010dasnosti. Liter\u00e1rne texty m\u00f4\u017eu nasledova\u0165 akceptovan\u00e9 spolo\u010densk\u00e9 hodnoty, ale aj vytv\u00e1ra\u0165 hodnoty nezlu\u010dite\u013en\u00e9 s hodnotami spolo\u010dnosti, v kto-rej vznikli alebo ktorej s\u00fa adresovan\u00e9. Ako pomedzn\u00fd jav m\u00f4\u017eu zah\u0155\u0148a\u0165, ale aj prekon\u00e1va\u0165 protiklady, vr\u00e1tane dialektiky medzi centrom a perif\u00e9riou. Literat\u00fara m\u00f4\u017ee podvraca\u0165, ako aj podporova\u0165 okrajovos\u0165. Nemus\u00ed smerova\u0165 k centru. To, \u010do je limin\u00e1lne, nepatr\u00ed ani cen-tru, ani perif\u00e9rii. M\u00f4\u017ee \u00eds\u0165 r\u00f4znymi smermi.\u201c Cel\u00fd text si m\u00f4\u017eete pre\u010d\u00edta\u0165 TU<\/a>.<\/p>\n

\"\"<\/a><\/p>\n

Romanistka Eva Kenderessy o svojich pr\u00edspevkoch nap\u00edsala: \u201eToto vizu\u00e1lne kr\u00e1sne \u010d\u00edslo \u010dasopisu Verzia<\/span><\/a>, venovan\u00e9 (prekladovo) zabudnutej klasike, host\u00ed okrem in\u00fdch liter\u00e1rnych lah\u00f4dok aj dva minirom\u00e1ny od rumunsk\u00e9ho (avant)avantgardistu Urmuza. Diela som ne-prekladala ja, vyu\u017eila som nezabudnute\u013en\u00fa diplomov\u00fa pr\u00e1cu svojej spolu\u017eia\u010dky Sabiny Robochovej Chollet a spolu s \u0148ou opr\u00e1\u0161ila preklady a vytvorila sprievodn\u00fd text. Okrem toho som do \u010d\u00edsla nap\u00edsala text o najv\u00e4\u010d\u0161om rumunskom liter\u00e1rnom festivale FILIT Ia\u0219i<\/span>, ktor\u00fd tvor\u00ed platformu nielen pre samotn\u00fa literat\u00faru, ale aj pre jej preklad, prekladate\u013eov
\na prekladate\u013eky.\u201c<\/p>\n

Ako prezr\u00e1dza ob\u00e1lka, posledn\u00e9 minuloro\u010dn\u00e9 \u010d\u00edslo \u010dasopisu Verzia sa skuto\u010dne zameriava na uk\u00e1\u017eky zabudnutej klasiky<\/em> 20. storo\u010dia, ktorej ch\u00e1panie pre tento \u00fa\u010del pribli\u017euje \u0161\u00e9fre-daktorka Gabriela Magov\u00e1:<\/p>\n

\u201eChceli sme do\u0148 [do 4. \u010d\u00edsla] s\u00fastredi\u0165 uk\u00e1\u017eky z pomyseln\u00e9ho k\u00e1nonu svetovej literat\u00fary, zachyt\u00e1vaj\u00face u\u017e pominut\u00fd svet alebo pr\u00e1ve\u017ee javy, ktor\u00e9 v spolo\u010dnosti rezonuj\u00fa neust\u00e1le. Zauj\u00edmali n\u00e1s diela, ktor\u00e9 boli v \u010dase svojho vzniku prelomov\u00e9 svojimi estetick\u00fdmi kvalitami a liter\u00e1rnymi postupmi, odvol\u00e1vaj\u00fa sa na ne s\u00fa\u010dasn\u00ed umelci a umelkyne, no neboli dopo-sia\u013e prelo\u017een\u00e9 do sloven\u010diny.\u201c<\/p>\n

Podobne ako v\u0161etky predch\u00e1dzaj\u00face, aj toto \u010d\u00edslo pon\u00faka vynikaj\u00face \u010d\u00edtanie a pozn\u00e1vanie rozmanitosti literat\u00fary. Na prv\u00fd poh\u013ead zaujm\u00fa najm\u00e4 uk\u00e1\u017eky z diel u n\u00e1s m\u00e1lo zn\u00e1mych v\u00fdnimo\u010dn\u00fdch autoriek ako Karin Boye (prel. \u00a0M. Podhradsk\u00e1) \u010di Irmgard Charlotte Keun (prel. P. \u0160ed\u00edkov\u00e1 \u010cuhov\u00e1). Hoci treba z\u00e1rove\u0148 doda\u0165, \u017ee kultov\u00fd dystopick\u00fd rom\u00e1n Kallocain<\/em><\/a> (1940) sme mali u\u017e v 80. rokoch mo\u017enos\u0165 pozna\u0165 v \u010deskom preklade a rozpr\u00e1vanie o obdob\u00ed na sklonku Weimarskej republiky o\u010dami mladej \u017eeny Das kunstseidene M\u00e4chen<\/em><\/a> (1932) pred dvadsiatimi rokmi znovu \u010d\u00edtala \u0161irok\u00e1 verejnos\u0165 v Nemecku v\u010faka kol\u00ednskej akcii Kniha pre mesto , ktor\u00e1 o\u017eivila region\u00e1lnu pam\u00e4\u0165, liter\u00e1rne dielo aj celkovo recepciu autorkinej tvorby. Z\u00e1rukou \u010ditate\u013esk\u00e9ho z\u00e1\u017eitku s\u00fa aj zn\u00e1me kanonizovan\u00e9 men\u00e1 ako de Unamuno, Witkacy \u010di Pasolini. Cel\u00fd obsah a editori\u00e1l n\u00e1jdete TU<\/a>.<\/p>\n

(jac)<\/p>\n","protected":false},"excerpt":{"rendered":"

V najnov\u0161om \u010d\u00edsle \u010dasopisu Verzia publikovali aj na\u0161a kolegy\u0148a Eva Kenderessy a n\u00e1\u0161 kolega R\u00f3bert G\u00e1frik. V \u00favodnej \u0161t\u00fadii s n\u00e1zvom \u201e\u010co je svetov\u00e1 literat\u00fara?\u201c sa komparatista R\u00f3bert G\u00e1frik podujal na \u00falohu na\u010drtn\u00fa\u0165 r\u00f4zne pr\u00edstupy k ch\u00e1paniu svetovej literat\u00fary ako jedn\u00e9ho z najdiskuto-vanej\u0161\u00edch pojmov s\u00fa\u010dasnej liter\u00e1rnej vedy: \u201ePod\u013ea m\u00f4jho n\u00e1zoru mo\u017eno literat\u00faru definova\u0165 ako limin\u00e1lny … Pokra\u010dova\u0165 na O (prekladovo) zabudnutej klasike v novej Verzii<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-7514","post","type-post","status-publish","format-standard","hentry","category-rozne"],"_links":{"self":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/7514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7514"}],"version-history":[{"count":29,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/7514\/revisions"}],"predecessor-version":[{"id":7521,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/7514\/revisions\/7521"}],"wp:attachment":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}