{"id":7479,"date":"2023-12-18T15:00:29","date_gmt":"2023-12-18T15:00:29","guid":{"rendered":"https:\/\/usvl.sav.sk\/wp\/?p=7479"},"modified":"2023-12-18T15:39:08","modified_gmt":"2023-12-18T15:39:08","slug":"7479","status":"publish","type":"post","link":"https:\/\/usvl.sav.sk\/wp\/?p=7479","title":{"rendered":"Nov\u00e9 \u010d\u00edslo: Autobiografick\u00e9 p\u00edsanie a autofikcia v s\u00fa\u010dasnej pr\u00f3ze"},"content":{"rendered":"

\"\"<\/a>eds. J\u00e1n Jambor \u2012 Zuzana Malinovsk\u00e1
\n<\/strong><\/p>\n

Toto \u010d\u00edslo sa venuje podob\u00e1m individu\u00e1lneho autorsk\u00e9ho sebavyjadrenia v\u00a0svetovej pr\u00f3ze vydanej po roku 2000. Aktu\u00e1lnos\u0165 problematiky s\u00favis\u00ed s\u00a0v\u00fdznamn\u00fdmi zmenami, s\u00a0ktor\u00fdmi je dne\u0161n\u00fd \u010dlovek konfrontovan\u00fd. Autori a\u00a0autorky deviatich \u0161t\u00fadi\u00ed v\u00a0piatich jazykoch uplat\u0148uj\u00fa r\u00f4zne metodologick\u00e9 pr\u00edstupy a\u00a0potvrdzuj\u00fa,
\n\u017ee v\u00fdsledkom autobiografick\u00e9ho p\u00edsania a\u00a0autofikcie nie s\u00fa priamo\u010diare autentick\u00e9 \u017eivotn\u00e9 dokumenty, ale svojbytn\u00e9 liter\u00e1rne kon\u0161trukcie reality, vyrovn\u00e1vaj\u00face sa s\u00a0osobnou i\u00a0spolo\u010denskou sk\u00fasenos\u0165ou, s\u00a0hrani\u010dn\u00fdmi \u017eivotn\u00fdmi situ\u00e1ciami, s\u00a0procesom p\u00edsania i\u00a0liter\u00e1rnou trad\u00edciou, ako aj s\u00a0hist\u00f3riou \u010di\u00a0pr\u00edtomnos\u0165ou danej krajiny.<\/p>\n

Z obsahu:<\/strong><\/p>\n

J\u00c1N JAMBOR \u2012 ZUZANA MALINOVSK\u00c1
\nAutobiografick\u00e9 p\u00edsanie a autofikcia v s\u00fa\u010dasnej pr\u00f3ze
\nZUZANA MALINOVSK\u00c1
\n\u00c9criture du deuil comme interrogation de soi : Deuils cannibales et m\u00e9lancoliques<\/em>
\nde Catherine Mavrikakis
\nJ\u00c1N JAMBOR
\nMelitta Brezniks Prosawerk zwischen faktualem und fiktionalem Erz\u00e4hlen
\nROMAN MIKUL\u00c1\u0160 \u2012 ANDREA MIKUL\u00c1\u0160OV\u00c1
\nVon der Aufl\u00f6sung der Person: Das seltsame Problem der personalen Identit\u00e4t
\nin neueren deutschsprachigen Autopathographien
\nNADE\u017dDA ZEMAN\u00cdKOV\u00c1
\nAutobiografie \u2012 Metaautobiografie \u2012 Autosoziobiografie: Ostdeutsches autobiografisches
\nErinnern im neuen Jahrtausend
\nJAN TLUST\u00dd
\n\u017divot, kter\u00fd se stal rom\u00e1nem: Autofik\u010dn\u00ed \u017divotopisy<\/em> Oty Filipa
\nMAGDOLNA BALOGH
\nGenre hybridity, self-discovery and trauma: Andrea Tompa\u2019s The Hangman\u2019s House<\/em>
\nJUDIT G\u00d6R\u00d6ZDI
\n\u201eProbl\u00e9my so \u017e\u00e1nrom v pa\u017eer\u00e1ku smrti\u201c: Vlastn\u00e1 smr\u0165<\/em> P\u00e9tera N\u00e1dasa a Pankreasn\u00edk<\/em>
\nP\u00e9tera Esterh\u00e1zyho ako hrani\u010dn\u00e9 pr\u00edpady autobiografie
\nROMAN DZYK \u2012 LILIIA SHUTIAK
\nThe Secret<\/em> by Yuri Andrukhovych: An autobiographical novel in the form
\nof an interview
\nMARTA SOU\u010cKOV\u00c1
\nK r\u00f4znym podob\u00e1m autobiografick\u00e9ho p\u00edsania v slovenskej pr\u00f3ze po roku 2000<\/p>\n

Cel\u00fd obsah \u010d\u00edsla s prelinkovan\u00edm na jednotliv\u00e9 texty v re\u017eime open access n\u00e1jdete<\/strong> TU<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

eds. J\u00e1n Jambor \u2012 Zuzana Malinovsk\u00e1 Toto \u010d\u00edslo sa venuje podob\u00e1m individu\u00e1lneho autorsk\u00e9ho sebavyjadrenia v\u00a0svetovej pr\u00f3ze vydanej po roku 2000. Aktu\u00e1lnos\u0165 problematiky s\u00favis\u00ed s\u00a0v\u00fdznamn\u00fdmi zmenami, s\u00a0ktor\u00fdmi je dne\u0161n\u00fd \u010dlovek konfrontovan\u00fd. Autori a\u00a0autorky deviatich \u0161t\u00fadi\u00ed v\u00a0piatich jazykoch uplat\u0148uj\u00fa r\u00f4zne metodologick\u00e9 pr\u00edstupy a\u00a0potvrdzuj\u00fa, \u017ee v\u00fdsledkom autobiografick\u00e9ho p\u00edsania a\u00a0autofikcie nie s\u00fa priamo\u010diare autentick\u00e9 \u017eivotn\u00e9 dokumenty, ale svojbytn\u00e9 liter\u00e1rne … Pokra\u010dova\u0165 na Nov\u00e9 \u010d\u00edslo: Autobiografick\u00e9 p\u00edsanie a autofikcia v s\u00fa\u010dasnej pr\u00f3ze<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29,11],"tags":[],"class_list":["post-7479","post","type-post","status-publish","format-standard","hentry","category-kniznica-online","category-spravy"],"_links":{"self":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/7479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7479"}],"version-history":[{"count":7,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/7479\/revisions"}],"predecessor-version":[{"id":7488,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/7479\/revisions\/7488"}],"wp:attachment":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}