{"id":5672,"date":"2023-01-13T13:54:48","date_gmt":"2023-01-13T13:54:48","guid":{"rendered":"https:\/\/usvl.sav.sk\/wp\/?p=5672"},"modified":"2023-02-10T09:04:55","modified_gmt":"2023-02-10T09:04:55","slug":"symptomy-literarnej-moderny-v-slovenskej-a-ceskej-medzivojnovej-proze","status":"publish","type":"post","link":"https:\/\/usvl.sav.sk\/wp\/?p=5672","title":{"rendered":"Sympt\u00f3my liter\u00e1rnej moderny v slovenskej a \u010deskej medzivojnovej pr\u00f3ze"},"content":{"rendered":"

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Kni\u017en\u00fd debut Zuzany Kopeckej sa zaober\u00e1 problematikou liter\u00e1rnej moderny cez optiku liter\u00e1rnovedn\u00e9ho komparatistick\u00e9ho v\u00fdskumu s interdisciplin\u00e1rnymi presahmi<\/strong>. Autorka ukon\u010dila doktorandsk\u00e9 \u0161t\u00fadium na \u00dastave svetovej literat\u00fary SAV obhajobou dizerta\u010dnej pr\u00e1ce pod veden\u00edm M\u00e1rie B\u00e1torovej.<\/strong><\/p>\n

Ako uv\u00e1dza Zuzana Kopeck\u00e1 v \u00favode svojej monografie, sympt\u00f3my liter\u00e1rnej moderny a ich v\u00fdpovedn\u00fa hodnotu reflektuje na z\u00e1klade komplexn\u00e9ho v\u00fdskumu, \u010d\u00edm prekra\u010duje hranice jednotliv\u00fdch defin\u00edci\u00ed liter\u00e1rnej moderny dominuj\u00facich v s\u00fa\u010dasn\u00fdch liter\u00e1rnovedn\u00fdch pr\u00edstupoch analogicky s pouk\u00e1zan\u00edm na nemo\u017enos\u0165 zaradenia liter\u00e1rnej moderny do chronologick\u00e9ho modelu liter\u00e1rnych dej\u00edn. Tak\u00fdmto sp\u00f4sobom sa sna\u017e\u00ed verifikova\u0165 individu\u00e1lny charakter autorsk\u00fdch poet\u00edk a ich dominantn\u00fdch \u010d\u0155t, ktor\u00e9 sa podie\u013eaj\u00fa na v\u00fdznamovej mnohorozmernosti liter\u00e1rnej moderny ako jej sympt\u00f3my. Predmetom autorkinho z\u00e1ujmu s\u00fa rom\u00e1nov\u00e9 diela slovenskej a \u010deskej medzivojnovej literat\u00fary Mu\u017e s prot\u00e9zou<\/em> (1925) od J\u00e1na Hru\u0161ovsk\u00e9ho (1892 \u2013 1975), D\u016fm o tis\u00edci patrech<\/em> (1929) od Jana Weissa (1892 \u2013 1972), Ztracen\u00fd st\u00edn<\/em> (1931) od Egona Hostovsk\u00e9ho (1908 \u2013 1973) a Pis\u00e1r Gr\u00e1\u010d<\/em> (1940) od Jozefa C\u00edgera Hronsk\u00e9ho (1896 \u2013 1960). Medzivojnov\u00e1 literat\u00fara, ktor\u00e1 vznik\u00e1 ako obraz sebapozoruj\u00faceho sa \u010dloveka pln\u00e9ho vn\u00fatorn\u00e9ho nap\u00e4tia a diskontinuity, predstavuje osobitn\u00e9 miesto v identifik\u00e1cii liter\u00e1rnej moderny v priereze \u010dasu. Interpreta\u010dn\u00e9 anal\u00fdzy autorke sl\u00fa\u017eia ako podklad pre kompar\u00e1ciu liter\u00e1rnych diel a identifikovanie ich typologickej pr\u00edbuznosti, pr\u00edpadne odli\u0161nosti, \u010do umo\u017e\u0148uje reflexiu slovenskej a \u010deskej liter\u00e1rnej tvorby medzivojnov\u00e9ho obdobia v kontexte svetovej literat\u00fary.<\/p>\n

Obsah monografie n\u00e1jdete TU<\/a>.<\/p>\n

Z vedeck\u00fdch recenzi\u00ed prof. PhDr. M\u00e1rie B\u00e1torovej, DrSc.\u00a0 a prof. PhDr. Milo\u0161a Zelenku, DrSc. vyber\u00e1me:<\/p>\n

\u201eAk pre\u017e\u00edvanie situ\u00e1ci\u00ed existen\u010dnej povahy vedie k hlbokej sebaanal\u00fdze, potom aj za procesom tvorivej \u010dinnosti mo\u017eno identifikova\u0165 autentick\u00fa sk\u00fasenos\u0165, ktor\u00e1 stoj\u00ed za vznikom liter\u00e1rneho diela javiaceho sa ako umenie ment\u00e1lnych obrazov\u201c, p\u00ed\u0161e Zuzana Kopeck\u00e1 o svojej monografii venovanej sympt\u00f3mom liter\u00e1rnej moderny. Tento kni\u017en\u00fd debut predstavuje mimoriadny vedeck\u00fd v\u00fdkon mladej liter\u00e1rnej vedkyne, ktor\u00fd je v\u00fdsledkom \u0161t\u00fadia a v\u00fdskumu v \u00dastave svetovej literat\u00fary SAV. Pr\u00e1ca je d\u00f4kazom \u0161irok\u00e9ho teoretick\u00e9ho rozh\u013eadu autorky, pri\u010dom uplat\u0148uje zlo\u017eit\u00fa met\u00f3du \u2013 nov\u00fd typ interpret\u00e1cie konkr\u00e9tneho textu v kontextoch. Je zauj\u00edmav\u00e1 a v\u00fdnimo\u010dn\u00e1 aj z h\u013eadiska te\u00f3ri\u00ed porovn\u00e1vacej liter\u00e1rnej vedy. Porovnania autorov slovenskej (J. C. Hronsk\u00fd a J. Hru\u0161ovsk\u00fd) a \u010deskej (J. Weiss a E. Hostovsk\u00fd) liter\u00e1rnej moderny prin\u00e1\u0161a ve\u013ea podnetov do s\u00fa\u010dasn\u00e9ho interdisciplin\u00e1rneho diskurzu. (Prof. PhDr. M\u00e1ria B\u00e1torov\u00e1, DrSc.)<\/p>\n

U monografie Zuzany Kopeck\u00e9 jde o vhodn\u011b zvolen\u00fd n\u00e1zev: autorka nezkoum\u00e1 pr\u00f3zu moderny, ale jej\u00ed symptomy. Je to interdisciplin\u00e1rn\u011b koncipovan\u00fd a probl\u00e9mov\u011b vy\u010derp\u00e1vaj\u00edc\u00ed text, zalo\u017een\u00fd na interpreta\u010dn\u00edm \u201etextocentrick\u00e9m\u201c p\u0159\u00edstupu, kter\u00fd je dopl\u0148ov\u00e1n sondami do historicko-filozofick\u00e9ho, resp. soci\u00e1ln\u011b-politick\u00e9ho kontextu. V publikaci se z\u00e1rove\u0148 funk\u010dn\u011b kombinuje teoretick\u00e9 hledisko a analytick\u00e1 \u010d\u00e1st. Autorka nepod\u00e1v\u00e1 klasick\u00e9, monotematicky lad\u011bn\u00e9 ,,portr\u00e9ty\u201c autor\u016f a uzav\u0159en\u00e9 interpretace, ale prost\u0159ednictv\u00edm kategori\u00ed (pohyb, identita\u2026) srovn\u00e1v\u00e1 jednotliv\u00e9 texty, kter\u00e9 p\u0159es svou p\u0159\u00edbuznost nelze spoutat apriorn\u00edm sch\u00e9matem. U Kopeck\u00e9 je evidentn\u00ed, \u017ee se inspiruje roz\u0161\u00ed\u0159en\u00edm topologick\u00e9ho pole s\u00e9mantick\u00fdch mo\u017enost\u00ed moderny, kterou vid\u00ed jako \u010dasov\u011b voln\u011bj\u0161\u00ed ,,meziliter\u00e1rn\u00ed s\u00ed\u0165\u201c. Moderna v t\u00e9to koncepci je mnohorozm\u011brn\u00fdm pojmem, k n\u011bmu\u017e mus\u00edme p\u0159istupovat s komparativn\u00edm podtextem a interdisciplin\u00e1rn\u00edmi aspekty. (Prof. PhDr. Milo\u0161 Zelenka, DrSc.)<\/p>\n

\u00a0<\/strong><\/p>\n

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                Kni\u017en\u00fd debut Zuzany Kopeckej sa zaober\u00e1 problematikou liter\u00e1rnej moderny cez optiku liter\u00e1rnovedn\u00e9ho komparatistick\u00e9ho v\u00fdskumu s interdisciplin\u00e1rnymi presahmi. Autorka ukon\u010dila doktorandsk\u00e9 \u0161t\u00fadium na \u00dastave svetovej literat\u00fary SAV obhajobou dizerta\u010dnej pr\u00e1ce pod veden\u00edm M\u00e1rie B\u00e1torovej. Ako uv\u00e1dza Zuzana Kopeck\u00e1 v \u00favode svojej monografie, sympt\u00f3my liter\u00e1rnej moderny a ich v\u00fdpovedn\u00fa … Pokra\u010dova\u0165 na Sympt\u00f3my liter\u00e1rnej moderny v slovenskej a \u010deskej medzivojnovej pr\u00f3ze<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-5672","post","type-post","status-publish","format-standard","hentry","category-nove-knihy"],"_links":{"self":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/5672","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5672"}],"version-history":[{"count":7,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/5672\/revisions"}],"predecessor-version":[{"id":5849,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/5672\/revisions\/5849"}],"wp:attachment":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5672"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5672"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5672"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}