{"id":1914,"date":"2018-11-07T14:58:00","date_gmt":"2018-11-07T14:58:00","guid":{"rendered":"http:\/\/usvl.sav.sk\/wp\/?p=1914"},"modified":"2018-11-07T19:18:08","modified_gmt":"2018-11-07T19:18:08","slug":"peter-esterhazy-v-literarnovednej-dielni","status":"publish","type":"post","link":"https:\/\/usvl.sav.sk\/wp\/?p=1914","title":{"rendered":"P\u00e9ter Esterh\u00e1zy v liter\u00e1rnovednej dielni \u00a0"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p>D\u0148a 24. okt\u00f3bra 2018 o\u00a014:00 hod. sa v\u00a0nov\u00fdch priestoroch \u00dastavu svetovej literat\u00fary SAV v\u00a0Bratislave konala predn\u00e1\u0161ka liter\u00e1rnej vedkyne a\u00a0vedeckej pracovn\u00ed\u010dky \u00fastavu Mgr. Judit G\u00f6r\u00f6zdi, PhD. s n\u00e1zvom <strong>Historick\u00e1 persifl\u00e1\u017e alebo \u010c\u00edta\u0165 rom\u00e1n P. Esterh\u00e1zyho \u201eJednoduch\u00fd pr\u00edbeh \u010diarka sto str\u00e1n \u2013 \u0161ermovacia verzia\u201c<\/strong>, ktor\u00e1 bola prv\u00e1 z nov\u00e9ho \u00fastavn\u00e9ho cyklu predn\u00e1\u0161ok pod n\u00e1zvom <em>Z\u00a0liter\u00e1rnovednej dielne<\/em>.<!--more--><\/p>\n<p>Predn\u00e1\u0161aj\u00faca predstavila ma\u010farsk\u00e9ho prozaika P\u00e9tera Esterh\u00e1zyho (1950 \u2013 2016), \u00a0jedn\u00e9ho z najv\u00fdznamnej\u0161\u00edch predstavite\u013eov ma\u010farskej postmoderny, ktor\u00e9ho diela boli prelo\u017een\u00e9 okrem in\u00e9ho do anglick\u00e9ho, nemeck\u00e9ho, holandsk\u00e9ho, \u010desk\u00e9ho, slovensk\u00e9ho, franc\u00fazskeho, tureck\u00e9ho, \u010d\u00ednskeho, japonsk\u00e9ho, rusk\u00e9ho aj hebrejsk\u00e9ho jazyka a\u00a0ktor\u00fd je nosite\u013eom popredn\u00fdch ma\u010farsk\u00fdch (Kossuthova cena, Cena AEGON, Cena Prima Primissima)\u00a0 aj\u00a0inon\u00e1rodn\u00fdch cien a\u00a0vyznamenan\u00ed (Herderova cena, Jeanette Schocken Preis, Friedenspreis des Deutschen Buchhandels). G\u00f6r\u00f6zdi analyzovala\u00a0jedno z\u00a0jeho posledn\u00fdch prozaick\u00fdch diel, publikovan\u00e9 v\u00a0roku 2013, prelo\u017een\u00e9 do slovensk\u00e9ho jazyka Ren\u00e1tou De\u00e1kovou: <strong><em>Jednoduch\u00fd pr\u00edbeh \u010diarka sto str\u00e1n \u2013 \u0161ermovacia verzia<\/em><\/strong> (<em>Egyszer\u0171 t\u00f6rt\u00e9net vessz\u0151 sz\u00e1z oldal \u2013 a\u00a0kardoz\u00f3s v\u00e1ltozat<\/em>)<strong>.\u00a0<\/strong><\/p>\n<p>Ma\u010farsk\u00fd liter\u00e1rny vedec Ern\u0151 Kulcs\u00e1r Szab\u00f3, monografista Esterh\u00e1zyho, \u00a0skon\u0161tatoval, \u017ee po vydan\u00ed jeho <em>V\u00fdrobn\u00e9ho rom\u00e1nu <\/em>(Termel\u00e9si-reg\u00e9ny) v\u00a0roku 1979 u\u017e nie je mo\u017en\u00e9 p\u00edsa\u0165 ako predt\u00fdm. Jeho diela prispeli k\u00a0prozaick\u00e9mu obratu v\u00a0ma\u010farskej literat\u00fare. Charakterizuje ich vyu\u017e\u00edvanie obraznosti jazyka, relativizovanie, neust\u00e1le experimentovanie, s\u00a0ktor\u00fdm \u010dasto nedok\u00e1zala dr\u017ea\u0165 krok ani kritick\u00e1 recepcia.<\/p>\n<p>Judit G\u00f6r\u00f6zdi od\u00f4vod\u0148uje v\u00fdber konkr\u00e9tneho diela pre svoju predn\u00e1\u0161ku jeho jedine\u010dnou realiz\u00e1ciou; absentuj\u00fa tu v\u0161etky naratologick\u00e9 kateg\u00f3rie uchopenia textu a troskotaj\u00fa zau\u017e\u00edvan\u00e9 sp\u00f4soby \u010d\u00edtania.<\/p>\n<p>T\u00e9mou diela zasaden\u00e9ho do druhej polovice 17. storo\u010dia je stretnutie dvoch fikt\u00edvnych post\u00e1v z\u00a0hist\u00f3rie P\u00e1la Ny\u00e1ryho a\u00a0knie\u017ea\u0165a \u013dudov\u00edta Habsbursk\u00e9ho z\u00a0d\u00f4vodu uzatvorenia dohody, ktor\u00e1 by dopomohla k\u00a0z\u00e1padnej orient\u00e1cii Uhorska. Pri \u010d\u00edtan\u00ed v\u0161ak nedok\u00e1\u017eeme zisti\u0165, \u010di k\u00a0stretnutiu v\u00f4bec do\u0161lo, preto\u017ee sl\u00fa\u017ei Esterh\u00e1zymu iba ako r\u00e1mec rozpr\u00e1vania. Prvotnou t\u00e9mou je\u00a0 samotn\u00fd model historickosti, pri\u010dom autor vo svojom texte vedome pracuje s\u00a0kult\u00farnou pam\u00e4\u0165ou Ma\u010farov a\u00a0ironizuje\u00a0\u010ditate\u013esk\u00e9 o\u010dak\u00e1vania vo\u010di historick\u00e9mu rom\u00e1nu. Esterh\u00e1zyho ir\u00f3nia v\u0161ak mieri pr\u00e1ve na \u017e\u00e1nrov\u00fa trad\u00edciu historick\u00e9ho rom\u00e1nu; zbavuje ho pr\u00edbehu, v\u00a0texte doch\u00e1dza k\u00a0de\u0161truovaniu historickej rozpr\u00e1va\u010dskej a\u00a0jazykovej trad\u00edcie.<\/p>\n<p>Judit G\u00f6r\u00f6zdi pribli\u017eovala text prostredn\u00edctvom jeho zasadenia do r\u00f4znych kontextov \u2013 venovala sa tvorbe autora, historick\u00e9mu narat\u00edvu, poskytla preh\u013ead odbornej literat\u00fary i\u00a0preh\u013ead ma\u010farsk\u00fdch rom\u00e1nov z\u00a0prelomu tis\u00edcro\u010dia, ktor\u00fdch autori taktie\u017e pracuj\u00fa\u00a0s\u00a0r\u00f4znymi podobami historiografickej metafikcie (J\u00e1nos H\u00e1y, L\u00e1szl\u00f3 M\u00e1rton, P\u00e1l Z\u00e1vada, Alfonz Talamon). \u00a0Z\u00e1vere\u010dn\u00e1 \u010das\u0165\u00a0 predn\u00e1\u0161ky bola venovan\u00e1 jednotliv\u00fdm aspektom v\u00fdskumu v\u00a0oblasti s\u00fa\u010dasn\u00e9ho ma\u010farsk\u00e9ho historick\u00e9ho narat\u00edvu.<\/p>\n<p>Po predn\u00e1\u0161ke sa rozvinula diskusia, po\u010das ktorej odzneli podnetn\u00e9 ot\u00e1zky i\u00a0koment\u00e1re k\u00a0sp\u00f4sobu kontextualiz\u00e1cie Esterh\u00e1zyho diela, k\u00a0mo\u017en\u00fdm met\u00f3dam prekladu autorovho textu do in\u00fdch jazykov, ako aj pozn\u00e1mky a\u00a0ot\u00e1zky t\u00fdkaj\u00face sa\u00a0dom\u00e1cej i\u00a0zahrani\u010dnej recepcie diel P\u00e9tera Esterh\u00e1zyho v\u00a0strednej Eur\u00f3pe aj mimo nej.<\/p>\n<p>Judit Dobry<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; D\u0148a 24. okt\u00f3bra 2018 o\u00a014:00 hod. sa v\u00a0nov\u00fdch priestoroch \u00dastavu svetovej literat\u00fary SAV v\u00a0Bratislave konala predn\u00e1\u0161ka liter\u00e1rnej vedkyne a\u00a0vedeckej pracovn\u00ed\u010dky \u00fastavu Mgr. Judit G\u00f6r\u00f6zdi, PhD. s n\u00e1zvom Historick\u00e1 persifl\u00e1\u017e alebo \u010c\u00edta\u0165 rom\u00e1n P. Esterh\u00e1zyho \u201eJednoduch\u00fd pr\u00edbeh \u010diarka sto str\u00e1n \u2013 \u0161ermovacia verzia\u201c, ktor\u00e1 bola prv\u00e1 z nov\u00e9ho \u00fastavn\u00e9ho cyklu predn\u00e1\u0161ok pod n\u00e1zvom Z\u00a0liter\u00e1rnovednej dielne.<\/p>\n","protected":false},"author":1,"featured_media":1891,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,13],"tags":[],"class_list":["post-1914","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-spravy","category-udalosti"],"_links":{"self":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1914","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1914"}],"version-history":[{"count":5,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1914\/revisions"}],"predecessor-version":[{"id":1927,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/1914\/revisions\/1927"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/media\/1891"}],"wp:attachment":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1914"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1914"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1914"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}