{"id":10612,"date":"2025-10-21T16:16:54","date_gmt":"2025-10-21T16:16:54","guid":{"rendered":"https:\/\/usvl.sav.sk\/wp\/?p=10612"},"modified":"2025-10-30T19:22:31","modified_gmt":"2025-10-30T19:22:31","slug":"orwellovo-dedicstvo-a-zvlastne-nove-ruske-dystopie","status":"publish","type":"post","link":"https:\/\/usvl.sav.sk\/wp\/?p=10612","title":{"rendered":"Boris Lanin o dystopickej fikcii v s\u00fa\u010dasnej ruskej literat\u00fare"},"content":{"rendered":"

\"\"<\/a>Guest lecture Orwell’s legacy and strange new Russian dystopias<\/strong> \/ Hos\u0165ovsk\u00e1 predn\u00e1\u0161ka Orwe-
\nllovo dedi\u010dstvo a zvl\u00e1\u0161tne nov\u00e9 rusk\u00e9 dyst\u00f3pie<\/p>\n

Boris Lanin<\/strong>
\n(Univerzita Adama Mickiewicza, Pozna\u0148)<\/p>\n

29. okt\u00f3ber 2025 (streda) o 14.00 hod.<\/strong>
\n\u00dastav svetovej literat\u00fary SAV, v. v. i., zasadacia miestnos\u0165 + online, v angli\u010dtine \/ guest lecture and discussion in English<\/a><\/p>\n

Link na pripojenie cez Zoom:
\n<\/strong>https:\/\/us06web.zoom.us\/j\/21683068496?pwd=UULbZvQwEQUallebWBp16ovk6RJOXy.1<\/a>
\nMeeting ID: 216 8306 8496
\nPasscode: 974210<\/p>\n

T\u00e1to prezent\u00e1cia sk\u00fama koncept avatarov a technologick\u00fdch artefaktov v dystopickej fikcii Vladimira Sorokina, so zameran\u00edm na rom\u00e1ny De\u0148 opri\u010dn\u00edka<\/em> a Telluria<\/em>. Sorokinovo vyu\u017e\u00edvanie avatarov, elektronick\u00fdch zariaden\u00ed a symbolick\u00fdch objektov poukazuje na prepojenie technol\u00f3gie, pam\u00e4ti a identity. Predn\u00e1\u0161ka bude h\u013eada\u0165 paralely so star\u0161\u00edmi rusk\u00fdmi dyst\u00f3piami, ako je Zamyatinovo My<\/em>, a prepoj\u00ed postavu S-4711 s neskor\u0161\u00edmi digit\u00e1lnymi avatarmi. Zariadenia ako \u201eumnica\u201c a tel\u00farov\u00e9 klince plnia z\u00e1rove\u0148 narat\u00edvnu aj metafyzick\u00fa funkciu \u2013 symbolizuj\u00fa kontrolu, ritu\u00e1l a simul\u00e1ciu. Hologramy a roboti s\u00fa analyzovan\u00e9 ako n\u00e1stroje \u0161t\u00e1tnej moci a z\u00e1rove\u0148 ako postmodern\u00e9 simulakr\u00e1. Prostredn\u00edctvom grotesky, hyperboly a par\u00f3die Sorokin kritizuje autorit\u00e1rstvo a komodifik\u00e1ciu vedomia. Jeho dielo napokon odha\u013euje svet, v ktorom je technologick\u00fd pokrok \u00fazko prepleten\u00fd s m\u00fdtom, ritu\u00e1lom a rozkladom individu\u00e1lnej slobody. Predn\u00e1\u0161ka sa z\u00e1rove\u0148 pok\u00fasi \u010d\u00edta\u0165 rom\u00e1n Alexeja Konakova Tabiya Tridsa\u0165dva<\/em> cez prizmu konceptu homo ludens<\/em> Johana Huizingu a \u017e\u00e1nrov\u00fdch konvenci\u00ed dystopickej literat\u00fary. Dej rom\u00e1nu
\nje zasaden\u00fd do Ruska po kr\u00edze v roku 2080 a vykres\u013euje spolo\u010dnos\u0165, ktor\u00e1 bola nanovo vybudovan\u00e1 okolo \u0161achu ako z\u00e1kladn\u00e9ho prvku kult\u00farnej identity, n\u00e1stroja \u0161t\u00e1tnej ideol\u00f3gie a prostriedku soci\u00e1lnej kontroly. Autor sk\u00fama, ako sa men\u00ed obraz \u201e\u010dloveka hraj\u00faceho sa\u201c \u2014 homo ludens<\/em> \u2014 pod nadvl\u00e1dou diktat\u00fary postavenej na \u0161achu. \u0160ach tu nie je vn\u00edman\u00fd ako \u0161port, ale ako humanitn\u00e1 discipl\u00edna, v ktorej sa kladie d\u00f4raz sk\u00f4r na akademick\u00fd a kult\u00farny pr\u00ednos ne\u017e na s\u00fa\u0165a\u017en\u00e9 v\u00ed\u0165azstv\u00e1. Predn\u00e1\u0161ka bude \u010derpa\u0165 zo \u0161irok\u00e9ho teoretick\u00e9ho r\u00e1mca vr\u00e1tane biopolitiky Michela Foucaulta, te\u00f3rie kult\u00farneho kapit\u00e1lu Pierra Bourdieuho, Freudovho konceptu sublim\u00e1cie a Gramsciho te\u00f3rie kult\u00farnej hegem\u00f3nie. Odmietnutie Fischerovho n\u00e1hodn\u00e9ho \u0161achu (Chess960) sa interpretuje ako obrana ortodoxn\u00fdch kult\u00farnych hodn\u00f4t pred subverz\u00edvnym myslen\u00edm. Rom\u00e1n ukazuje, ako sa hra m\u00f4\u017ee sta\u0165 n\u00e1strojom discipl\u00edny, sublim\u00e1cie a ideologickej kontroly, pri\u010dom si z\u00e1rove\u0148 zachov\u00e1va potenci\u00e1l pre kritick\u00e9 myslenie a osobn\u00fa trag\u00e9diu. T\u00e1to anal\u00fdza zd\u00f4raz\u0148uje jedine\u010dnos\u0165 diela Tabiya Tridsa\u0165dva<\/em> ako textu, ktor\u00fd sp\u00e1ja filozofick\u00fa parabolu, dyst\u00f3piu a kult\u00farnu metaforu, \u010d\u00edm predstavuje v\u00fdznamn\u00fd pr\u00edspevok do s\u00fa\u010dasnej ruskej literat\u00fary.<\/p>\n

Profesor Boris Lanin<\/strong> (Univerzita Adama Mickiewicza, Pozna\u0148) je uzn\u00e1van\u00fd odborn\u00edk v oblasti rusistiky a porovn\u00e1vacej liter\u00e1rnej vedy. P\u00f4sobil ako hos\u0165uj\u00faci profesor na Kennan Institute, n\u00e1sledne vo Woodrow Wilson Center (Washington, D.C.) a v in\u0161tit\u00fatoch pre pokro\u010dil\u00e9 \u0161t\u00fadi\u00e1 (Par\u00ed\u017e, Franc\u00fazsko; Waseda University, Tokio, Japonsko; a Uppsala, \u0160v\u00e9dsko). P\u00f4sobil na univerzit\u00e1ch v Hokkaide, Stanforde, Kobe a Saitame, ako aj v Alfried Krupp Institute for Advanced Study (Alfried Krupp Wissenschaftskolleg, Greifswald, Nemecko). Bol tie\u017e \u010destn\u00fdm hos\u0165uj\u00facim profesorom N\u00e1rodn\u00e9ho fondu pre humanitn\u00e9 vedy (National Endowment for the Humanities) na \u0160t\u00e1tnej univerzite v New Yorku v Potsdame (2018) a hos\u0165uj\u00facim profesorom na Britskej akad\u00e9mii (2005). Publikuje v mnoh\u00fdch jazykoch vr\u00e1tane ru\u0161tiny, angli\u010dtiny, po\u013e\u0161tiny, franc\u00faz\u0161tiny, japon\u010diny, k\u00f3rej\u010diny, nem\u010diny a srb\u010diny. Okrem svojej akademickej pr\u00e1ce je zn\u00e1my aj v\u010faka svojim u\u010debniciam literat\u00fary pre rusk\u00e9 stredn\u00e9 \u0161koly (5. a\u017e 11. ro\u010dn\u00edk). Do roku 2022 sa ich predalo viac ako mili\u00f3n v\u00fdtla\u010dkov, k\u00fdm neboli z politick\u00fdch d\u00f4vodov zak\u00e1zan\u00e9.<\/p>\n","protected":false},"excerpt":{"rendered":"

Guest lecture Orwell’s legacy and strange new Russian dystopias \/ Hos\u0165ovsk\u00e1 predn\u00e1\u0161ka Orwe- llovo dedi\u010dstvo a zvl\u00e1\u0161tne nov\u00e9 rusk\u00e9 dyst\u00f3pie Boris Lanin (Univerzita Adama Mickiewicza, Pozna\u0148) 29. okt\u00f3ber 2025 (streda) o 14.00 hod. \u00dastav svetovej literat\u00fary SAV, v. v. i., zasadacia miestnos\u0165 + online, v angli\u010dtine \/ guest lecture and discussion in English Link na … Pokra\u010dova\u0165 na Boris Lanin o dystopickej fikcii v s\u00fa\u010dasnej ruskej literat\u00fare<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30,10],"tags":[],"class_list":["post-10612","post","type-post","status-publish","format-standard","hentry","category-events-2","category-pozvanky"],"_links":{"self":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/10612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10612"}],"version-history":[{"count":11,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/10612\/revisions"}],"predecessor-version":[{"id":10700,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=\/wp\/v2\/posts\/10612\/revisions\/10700"}],"wp:attachment":[{"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/usvl.sav.sk\/wp\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}